Kate Maxwell


Professor

Job description

Professor of music history, theory, and analysis

 


  • Kate Maxwell, Sabina Fosse Hansen, Giovanna Alves dos Santos, Jonas Benedict Danielsen Eskeland :
    Studentar som endringsagentar
    Podium. FOU-magasin fra Universitetet i Tromsø, Det kunstfaglige fakultet 2023 ARKIV
  • Kate Maxwell :
    Excellence
    Routledge 2023 ARKIV / DOI
  • Lilli Mittner, Lise Karin Meling, Sheila Kate Maxwell :
    Arts-based pathways for sustainable transformation towards a more equal world
    Nordic Journal of Art and Research (A & R) 2023 ARKIV / DOI
  • Kate Maxwell, Jonathan Greenaway :
    Understanding "flow": A multimodal reading of political economy and capitalist erotics in hip hop
    Multimodality & Society 2022 ARKIV / DOI
  • Paul Benneworth, Kate Maxwell, David Charles :
    Measuring the effects of the social rural university campus
    Research Evaluation 2022 ARKIV / DOI
  • Kate Maxwell, Sabina Fosse Hansen :
    Decolonizing music history in Scandinavia: Reflections from the chalkface
    Dansk Musikforskning Online 2022 FULLTEKST / ARKIV
  • Kate Maxwell :
    A Multimodal Reading of MS C: Order, Decoration, Mutation
    Brepols 2021
  • Kate Maxwell, Lilli Mittner, Hanne Hammer Stien :
    Conceptualizing the North
    Nordlit 2020 FULLTEKST / DATA / ARKIV / DOI
  • Kate Maxwell :
    Music in the Dark: Soundscapes in Christiane Ritter's A Woman in the Polar Night
    Nordlit 2020 ARKIV / DOI
  • Kate Maxwell, Lilli Mittner :
    Multimodality and Gender in Beck’s Song Reader
    Routledge 2019 FULLTEKST / DOI
  • Kate Maxwell :
    Multimodality and Memory in the Mise en page of Guillaume de Machaut's Mass
    Palgrave Macmillan 2019 ARKIV / DOI
  • Kate Maxwell :
    The Medieval (Music) Book: A Multimodal Cognitive Artefact
    Edinburgh University Press 2019 DATA / ARKIV
  • Kate Maxwell, Paul Benneworth :
    The construction of new scientific norms for solving Grand Challenges
    Palgrave Communications 2018 ARKIV / DOI
  • Kate Maxwell :
    Beck's Song Reader: An Unbound Music Book
    Mémoires du livre 14. December 2016 ARKIV / DOI
  • Kate Maxwell, Lilli Mittner, Hanne Hammer Stien :
    Conceptualizing the North
    2020 FULLTEKST
  • Kate Maxwell :
    Ecocriticism and the queer sexual politics of horsemeat in the Livre de Fauvel
    2023
  • Kate Maxwell :
    Bi/pantextuality, Digitized Manuscripts, and Queer Encounters
    2023
  • Kate Maxwell :
    Decolonizing the Music Curriculum with Students as Agents of Change: Some Examples from Norway
    2023
  • Sheila Kate Maxwell :
    Decolonising the curriculum: some lessons for multimodality
    2023
  • Kate Maxwell :
    Toute Belle and the construction of the female voice in medieval and early modern sound and writing
    2022
  • Kate Maxwell, David Charles, Paul Benneworth :
    Measurement is the mother of all exclusion: How "excellence" can marginalize multidisciplinarity and engaged research
    2022
  • Kate Maxwell, David Charles, Paul Benneworth :
    Measurement is the Mother of all Exclusion: How "Excellence" can Marginalize Multidisciplinarity and Engaged Research
    2022
  • Kate Maxwell, David Charles, Paul Benneworth :
    The Social Rural University Campus and the Rural Creative Economy
    2022
  • Kate Maxwell :
    Queering the rose from the Roman de la rose to K-pop
    2022
  • Kate Maxwell :
    Toute Belle and the Construction of the Female Voice in Medieval and Early Modern Sound and Writing
    2022
  • Hanne Hammer Stien, Kate Maxwell, Lilli Mittner :
    Conceptualizing the North
    2021
  • Kate Maxwell :
    Music and the Pornographic Spectrum: Music and Erotic Imagery from the Middle Ages to the Internet
    2021
  • Kate Maxwell :
    The Queer Sexual Politics of Horsemeat in the Livre de Fauvel
    2021
  • Kate Maxwell :
    Response to the Digital Machaut Roundtable
    2021
  • Kate Maxwell, Carlo Allemano :
    Cherubino: Mozart's Masturbation Metaphor
    2021
  • Kate Maxwell, Lilli Mittner, Hanne Hammer Stien :
    A voyage into peer review
    Research Europe 2020 FULLTEKST
  • Kate Maxwell :
    The Bitextuality of Digitised Manuscripts
    2019
  • Kate Maxwell, Paul Benneworth, Martin Siefkes :
    Sandpits Can Develop Cross-Disciplinary Projects, but Funders Need to be as Open-Minded as Researchers
    LSE Impact Blog 15. October 2018 FULLTEKST / ARKIV
  • Kate Maxwell, Jon Greenaway :
    Understanding Flow: Difference and Repetition in Norwegian Hip Hop
    2018
  • Kate Maxwell :
    Lett å være rebell i kjellerleiligheten din: The sexist in the basement of Norwegian hip hop
    2018
  • Kate Maxwell :
    The Posthuman Pragmatics of the Book: A Multimodal Reading of a Digitised Manuscript
    2018
  • Kate Maxwell, Unni Pia Løvhaug, Per Pippin Aspaas, Magnar Gullikstad Johnsen, Bente Heimtun, Per helge Nylund :
    Nordlyset hjemme – Nordlysvitenskap og UiT i 100 år
    Nordlyset hjemme – Nordlysvitenskap og UiT i 100 år 2018
  • Kate Maxwell, Paul Benneworth :
    Research Funding is Critical to Societally Relevant Research
    Elephant in the Lab 13. September 2018 ARKIV / DOI
  • Kate Maxwell :
    Kjønnsperspektiver i rytmisk musikk
    2018
  • Kate Maxwell, Lilli Mittner :
    Multimodal Evangelism, or, Is Everything Really Multimodal? Reflections on Multimodality and Gender
    2018
  • Kate Maxwell :
    #MeToo #ShePersisted: Understanding society and culture through gender and pop music
    2018
  • Kate Maxwell, Lilli Mittner :
    Notation and Gender in Beck's Song Reader
    2018
  • Kate Maxwell :
    ‘Lett å være rebell i kjellerleiligheten din': The sexist in the basement of Norwegian hip hop
    2018
  • Kate Maxwell :
    Mixing It Up: The Place of the Arts in Multidisciplinary Contexts
    Podium. FOU-magasin fra Universitetet i Tromsø, Det kunstfaglige fakultet 2017 ARKIV
  • Kate Maxwell :
    (Still) not asking for it
    2017
  • Kate Maxwell :
    The rebel in the basement: agency and action in Norwegian hip hop
    2017
  • Kate Maxwell, Paul Benneworth :
    Sandpits Can Help Researchers Escape Disciplinary Bubbles
    Research Europe 26. October 2017
  • Kate Maxwell, Friederike Bischoff :
    Musikalsk innslag under åpning av studieåret 2017/18 Fremføring av verket "(Still) not asking for it" av Kate Maxwell
    2017
  • Kate Maxwell, Paul Benneworth :
    The construction of new scientific norms for solving grand challenges: Reflections from the Norwegian Idélab research programme
    2017 FULLTEKST
  • Kate Maxwell :
    Music as Spiritual Nourishment (or not) at the Periphery of Page and Sound
    2016

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    Research interests

    Research into pop music, medieval music, multimodality, music and the erotic, queer studies, manuscript studies, graphic/non-standard notation, music as a visual artefact, French litterature (particularly medieval), research communication. Monograph Music and the Pornographic Spectrum from the Middle Ages to the Internet under contract with De Gruyter / New Queer Medievalisms and edited volume (with David Carillo-Rangel) Queer Textures of the Past: Feeling the Fifth to the Fifteenth Centuries under contract with De Gruyter / Medieval Institute Publications (both open access thanks to funding from the UB pubication fund).

    More information and full publications list: https://skatemaxwell.wordpress.com/category/publications/

    Teaching

    Bachelor: Music history and analysis; Performance practice, culture and society in historical perspective; Bachelor project.

    Master: Master project; Artistic research and methods.